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roughly 3 khz to 10 khz is elevated about 2-3 db above the. I have improved their crossovers and driven them with a wide range of SS and tube amps including the Krells, Jadis, Lamms, VTL, Bryston, Musical Fidelity to name a few. However, all of these hybrid speakers require amplification that is both "full-bodied" and highly controlled in the bass, as well as stable with good power (100 watts or more). They did have some impressive 'strong points a wide usable frequency range, a potentially huge soundstage, a deafening loudness capability and they had a lot of outer detail, though only within certain restricted frequencies. Perhaps you or one of your group would take the trouble to try it out. For example, the new model is 260 KG (or 572 lbs) each! If some of your readers need my support for an Apogee modification project, I can help. If you move the one speaker out too far into the room the sound will reconnect with the speaker against the wall, and move back to the center. I might post this.
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This is because of the nearfield to farfield transition inherent in line arrays. The choice between the Trio Omega and the Duo Omega was much more difficult, and I used several weeks to make my decision (the Duo Omega can be delivered in a Trio frame if used with basshorns). The bass ribbon is normally 2 ohms, so I direct drive it with the Sunfire. I am also very familiar with them, and I feel you are overrating them somewhat. You've already mentioned their classic Klipschorn models at various other places so no need to repeat in this section other than to note they're very sensitive ( 100 dB/W/m). It's obvious that setup is critical and there was only one listening seat that was optimum in both rooms. The Principle: Master Set is based on the idea of the placement relationship of the two speakers with each other in regards to sound pressure level from each speaker into the listening room.